The trick with computers I think, is to approach old and new things with the same reverence as you would like your favourite chair and not be seduced by the constant innovation otherwise you never do anything.
If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.
In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.
The guitar is a much more efficient machine than a computer. More responsive.