[After working constantly in the 1980s, Armstrong tried his hand at screenwriting in the 1990s. With writing partner John Doolittle, he sold several scripts but none ended up on the screen.] It occurred to me after a while -- I didn't understand why I was setting myself up for two careers where I was going to be rejected, ... You can do it all right with one, but come on.
I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.