I've had to relearn how I work with people so that if and when I do avoid different things I don't send any messages in doing so.
If it gets to the Supreme Court, I'll have the directors of every museum in the country as expert testimony that my work is legitimate art.
That dichotomy between the public consumption of the work and my intent and practice in making it is an uneasy one for me, on occasion.
Any artist that's involved in their work is inevitably going to have a focus in what they do.
When I started doing my work years ago, I had doubts as to whether the informed-consent question was answerable.