You could watch Laurel and Hardy for three minutes trying to get into a berth in a train. And that's what made Lucille Ball so popular. She's always doing funny rather than saying funny. The shows today say funny, but I don't see anybody doing funny.
It's strange how parts come along, how life lives us, and what we get to do with the abilities that are given us.
When you perform in front of an audience after only two days of rehearsal, you're flying by the seat of your pants - particularly when they're rewriting the show right up to the moment the camera goes on.
These boys have been a pleasure to coach and winning a grand final is just a great feeling ... it's hard to describe.
It was pretty tense
They were very physical and we overcame that. Orange just kept pushing so to emerge victorious was super.
The Michael Richards Show.
We take a very realistic approach to what it takes to retain workers
They kept ringing the bell!
We knew going in we were going to have a pretty good team, but I don't think we expected to dominate the way we did. We didn't know what we could do until the start of the tournament.
I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through.
There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there.
I'm a performer. I push the envelope, I work in a very uncontrolled manner onstage. I do a lot of free association, it's spontaneous, I go into character.
They're going to arrest me for calling a black man a nigger?
Well, you interrupted me, pal. That's what happens when you interrupt the white man, don't you know?