People like Frank Zappa were amazing for us Brits.
I'm always writing or playing because that is my life.
My faith is very private to me. It plays an important part in my life, but I do not try and throw my beliefs at others. I have tremendous respect for all faiths and beliefs, but have a deep concern that religion and faith are currently a long way apart from each other.
My life revolves around music and always will. I need to be a part of music and not an observer.
Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.
I was born in 1949 - which seems like a long time ago... Actually, it is a long time ago, when I think about it.
Even the two times that I left, I never really felt like I left the band. It's very bizarre. It's like there's sort of an umbilical cord that stretches between us spiritually.
I've been married three times and divorced three times.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.
I always say that it's about breaking the rules. But the secret of breaking rules in a way that works is understanding what the rules are in the first place.
The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.
But I listen to live recordings of things that I did back in the '70s and then how I've done things since. And there's no doubt about it: if I compare the two, it's like chalk and cheese.