If I should ever die, God forbid, let this be my epitaph: THE ONLY PROOF HE NEEDEDFOR THE EXISTENCE OF GODWAS MUSIC
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Amy [Winehouse] changed pop music forever, I remember knowing there was hope, and feeling not alone because of her. She lived jazz, she lived the blues.
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John will never forsake the weak and the helpless, nor fail to bring hope to the hopeless. That is what they believe, and so they do not worry. They go on and laugh and sing. Things are bound to come out right tomorrow. That is the secret of Negro song and laughter.
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Musically, he was like an old man in a boy's skin.
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At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.
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She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.
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I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration- joy and pain sit side by side. The blues started off in some field, some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
La tournée terminée, Tom et Roger pensèrent qu'après le succès de I Shot The Sheriff, ce serait bien de descendre dans les Caraïbes pour continuer sur le thème du reggae. Ils organisèrent un voyage en Jamaïque, où ils jugeaient qu'on pourrait fouiner un peu et puiser dans l'influence roots avant d'enregistrer. Tom croyait fermement au bienfait d'exploiter cette source, et je n'avais rien contre puisque ça voulait dire que Pattie et moi aurions une sorte de lune de miel. Kingston était une ville où il était fantastique de travailler. On entendant de la musique partout où on allait. Tout le monde chantait tout le temps, même les femmes de ménage? L'hotel. Ce rythme me rentrait vraiment dans le sang, mais enregistrer avec les Jamaïcains était une autre paire de manches. Je ne pouvais vraiment pas tenir le rythme de leur consommation de ganja, qui était énorme. Si j'avais essayé de fumer autant ou aussi souvent, je serais tombé dans les pommes ou j'aurais eu des hallucinations. On travaillait aux Dynamic Sound Studios? Kingston. Des gens y entraient et sortaient sans arrêt, tirant sur d'énormes joints en forme de trompette, au point qu'il y avait tant de fumée dans la salle que je ne voyais pas qui était l? Ou pas. On composait deux chansons avec Peter Tosh qui, affalé sur une chaise, avait l'air inconscient la plupart du temps. Puis, soudain, il se levait et interprétait brillamment son rythme reggae? La pédale wah-wah, le temps d'une piste, puis retombait dans sa transe? La seconde où on s'arrêtait.
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When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor.
.. Charles laughingly observed,'Gospel and the blues are really, if you break it down, almost the same thing. It's just a question of whether you're talkin' about a woman or God.
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The music had ceased. Alex walked over to the gramophone, wound it up again, and put on more blues, a woman singing this time, gay and sad at once, like a stranded angel who had traded holiness for humanity but remembered what it used to be like to know God.
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For me there is something primitively soothing about this music, and it went straight to my nervous system, making me feel ten feet tall.
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What were good and evil, really, but stupid categories? Stupid categoriesthat restricted people and punished or rewarded them based on how they responded to their own natures, natures they really didn't have any way to control.
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After we became a couple, she composed our time together. She planned days as if they were artistic events. One afternoon we went to Tybee Island for a picnic; we ate blueberries and drank champagne tinted with curacao and listened to Miles Davis, and when I asked the name of her perfume, she said it was L'Heure Bleue. She talked about 'perfect moments.' One such moment happened that afternoon; she'd been napping; I lay next to her, reading. She said, 'I'll always remember the sounds of the sea and of pages turning, and the smell of L'Heure Bleue. For me they signify love.
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We've come from the same history - 2000 years of persecution - we've just expressed our sufferings differently. Blacks developed the blues. Jews complained, we just never thought of putting it to music.
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