Quotes on entertainment

I have been very fortunate in [the entertainment] business, and I am very grateful for that. I wish the same for everyone out there, especially everyone who dares to dream.

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Anyone who tries to make a distinction between education and entertainment doesn't know the first thing about either.

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I'm just a musical prostitute, my dear.

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What does one prefer? An art that struggles to change the social contract, but fails? Or one that seeks to please and amuse, and succeeds?

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It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.

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It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.

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Yet entertainment--as I define it, pleasure and all--remains the only sure means we have of bridging, or at least of feeling as if we have bridged, the gulf of consciousness that separates each of us from everybody else. The best response to those who would cheapen and exploit it is not to disparage or repudiate but to reclaim entertainment as a job fit for artists and for audiences, a two-way exchange of attention, experience, and the universal hunger for connection.

entertainment tso-art writing

[I]f a book is well written, I always find it too short.

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[T]o read was precisely to enter another world, which was not the reader's own, and come back refreshed, ready to bear with equanimity the injustices and frustrations of this one. Reading was balm, amusement -- not incitement.

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In Hollywood if you don't have a shrink, people think you're crazy.

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Friday night was the night most people thought they were supposed to have fun. Trouble was most people didn't know what fun was or how to have it, so things usually ended up pretty ugly.

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Truth is a naked and open daylight, that does not show the masques, and mummeries, and triumphs of the world, half so stately and daintily as candle-lights. . . A mixture of a lie doth ever add pleasure

entertainment lies truth

Since the age of five I had been one of those people who was an indefatigable reader, more inclined to go off by myself with a book than do any of the dozens of things that children usually do to amuse themselves. I never aged out of it.

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