You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.
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I hate when people ask what a book is about. People who read for plot, people who suck out the story like the cream filling in an Oreo, should stick to comic strips and soap operas.... Every book worth a damn is about emotions and love and death and pain. It's about words. It's about a man dealing with life. Okay?
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But, how do you know if an ending is truly good for the characters unless you've traveled with them through every page?
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Fast reading of a great novel will get us the plot. It will get us names, a shadowy idea of characters, a sketch of settings. It will not get us subtleties, small differentiations, depth of emotion and observation, multilayered human experience, the appreciation of simile and metaphor, any sense of context, any comparison with other novels, other writers. Fast reading will not get us cadence and complexities of style and language. It will not get us anything that enters not just the conscious mind but the unconscious. It will not allow the book to burrow down into our memory and become part of ourselves, the accumulation of knowledge and wisdom and vicarious experience which helps to form us as complete human beings. It will not develop our awareness or add to the sum of our knowledge and intelligence. Read parts of a newspaper quickly or an encyclopaedia entry, or a fast-food thriller, but do not insult yourself or a book which has been created with its author's painstakingly acquired skill and effort, by seeing how fast you can dispose of it.
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Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
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Whilst the wolflets bayed, A grave was made, And then with the strokes of a silver spade, It was filled to make a mound. And for two cold days and three long nights, The father tended that holy plot; And stayed by where his wife was laid, In the grave within the ground.
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When all the details fit in perfectly, something is probably wrong with the story.
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Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.
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In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers.
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Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an actionis through. That is all Plot ever should be. It is human desire letrun, running, and reaching a goal. It cannot be mechanical. It canonly be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do.
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Character is plot, plot is character.
character plot
Be a good listener in the special way a story requires: note the manner of presentation; the development of plot, character; the addition of new dramatic sequences; the emphasis accorded to one figure or another in the recital; and the degree of enthusiam, of coherence, the narrator gives to his or her account.
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I did it thirty-five minutes ago.
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Dan, I'm not a Republic serial villain. Do you seriously think I'd explain my master-stroke if there remained the slightest chance of you affecting its outcome? I did it thirty-five minutes ago.
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Stories start in all sorts of places. Where they begin often tells the reader of what to expect as they progress. Castles often lead to dragons, country estates to deeds of deepest love (or of hate), and ambiguously presented settings usually lead to equally as ambiguous characters and plot, leaving a reader with an ambiguous feeling of disappointment. That's one of the worst kinds.
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(In reply to the question, 'Would you like some suggestions for a plot for your next book?')There are three problems with getting plot suggestions from other people. The first is that ideas are the easy part of writing; finding the time and energy to get them down on paper is the hard part. I have plenty of ideas already. Which brings me to the second problem: the ideas that excite you, the ones you think would make a terrific book, are not necessarily the same ideas that excite me. And if a writer isn't excited about an idea, she generally doesn't turn out a terrific book, even if the idea is terrific. And the third problem with my using your suggestions is that, theoretically, you could sue me if I did, and that tends to make publishers nervous, which makes it hard to sell a book. So thank you, but no.
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But he doesn't love her. I invented that. It is a plot if you imagine people in love--the lazy looping criss crosses of love, blows, stares, tears. No. It doesn't happen. No love. People meet, touch, stare into one another's faces, shake their heads clear, move on, forget. It doesn't happen.
people plot
.. My novels are like life - I never know where they're going until I get to the end..
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You have to have a plot too, you know? Because without it, your life is less of a story and more of an empty paper.
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You keep waiting for the moral of your life to become obvious, but it never does. Work, work, work: No moral. No plot. No eureka! Just production schedules and days. You might as well be living inside a photocopier. Your lives are all they're ever going to be.
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A novel is a tricky thing to map.
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Don't resist the urge to burn down the stronghold, kill off the main love interest or otherwise foul up the lives of your characters.
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.. You mean you don't fit characters into a plot? Excatly..
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Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.
characters plot
Does Batman ever NOT have a plan..?
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