According to New York publishers, Bill Clinton will get more money for his book than Hillary Clinton got for hers. Well, duh. At least his book has some sex in it.
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Ignorance, inertia and indifference are alive and well in America's newspapers. Minority still equals inferiority in the minds of many American editors and publishers.
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Self-publishing got a bad rap because there were too many people publishing things that weren't fit to be published, but in the last few years self publishers are producing more daring and more cutting edge work the big houses don't want to mess with.
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Understanding the Asian computer and video game market has become a hot topic of discussion and of paramount importance for the continued growth of the game industry. The Austin Game Conference engaged industry experts with specific experience in the Asian market to present this topic, and Western developers and publishers will benefit greatly by participating. North American companies are eager to expand into the Asian market and similarly Asian companies are interested in increasing their presence in North America.
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By holding the Casual Games Conference alongside the Austin Game Conference we're creating a unique venue for developers, publishers and distributors of casual and online games to better understand the market challenges and business opportunities.
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It makes a ton of sense for us to explore this emerging business to see how it can provide us with more revenue potential from our titles. As we evolve gaming as a form of entertainment it's exciting to see new ways to drive revenues back to the company. As you know, video games probably have the worst business model of any entertainment space - short shelf life, volatile pricing, platform risk, platform transitions etc. All other entertainment have many revenue streams coming back to the producer of the content. Movies have not only box office, but DVD sales, Pay Per View, much stronger merchandising opportunities, things that just don't come back to games yet. Television and the internet have similar amounts of alternative revenue streams plus huge amounts of advertising revenue coming in - games simply don't have this working for us. It's retail and that's it. We want companies like Double Fusion to be hugely successful because if they are, we as publishers of video game entertainment benefit from the fact that a new revenue stream opens up and takes some of the inherent volatility out of our business.
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The publishers are going to join this revolution,.. They're not going to be able to stop it.
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I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of normal work.
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My job is to make sure it does not become spring break out there. I can let you in, but I can't let your other five friends in. It's not based on age or looks. There's an amazing group of people from all forms of business, whether it's entertainment or music or great photographers, great art directors, great publishers, amazing businessmen and women, and it's a great mix in age. You want to maintain that glamour and classiness. It's an overall blend.
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E-mail marketing will continue to be effective as long as the legitimate publishers are very vigilant in complying with CAN-SPAM regulations and police it carefully.
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The draft law does a good job in preserving and solidifying the country of origin principle for e-commerce, but it is not good news for offline publishers
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We're pleased that Unreal is the preferred engine choice for leading publishers and developers in the industry. Combined with our growing partnerships with Sony and Microsoft on their next-generation consoles, the Unreal Engine is going to see some truly exciting times ahead. This Lead Engine Programmer position is the opportunity of a lifetime, to play a crucial role in shaping the technology that the games industry has come to recognize as the very best.
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The environment has really changed. All of a sudden, the advertisers have gotten savvy and they're giving direction. The marketers are further ahead in their thinking than the publishers in most cases.
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It's fairly straightforward economics for the most part. The sale of textbooks overseas, while small, actually holds down the price of textbooks in the United States. Any time we increase the volume of books sold, development and production costs can be spread over a larger field of purchasers. Publishers set the price of textbooks sold overseas at prices to reflect local market conditions.
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We think most publishers and authors will choose to participate in the publisher program in order to introduce their work to countless readers around the world. But we know that not everyone agrees, and we want to do our best to respect their views too. So now, any and all copyright holders... Can tell us which books they'd prefer that we not scan if we find them in a library.
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When one looks at the results so far for Stephen King, it is something of a wash,.. He simply has made back the money it cost him to pursue this means of reaching his audience with his latest work. For authors who don't have the track record, reputation and built-in audience following of a Stephen King, obviously his example is one that doesn't necessarily encourage them to go out and dismiss their publishers.
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The role that publishers play in terms of helping to put together the product in a way that has market appeal, in publicizing the product.. That's something that Stephen King was able to forgo by going directly to the public, based on his reputation,.. Most artists, and especially new authors, don't have that ability.
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This category is fraught with issues as to whether publishers can even say go ahead and use them because they may not have the rights.
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Look across the sector and other publishers are up.. This is a kind of pausing for breath having taken a hammering consistently for the last couple of weeks
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This story kind of broke in the news because the publishers went to the press with a letter saying they didn't think DiMA was negotiating in good faith. We responded with a letter outlining what the facts of the negotiations have been.
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That transition is not easy for many publishers. For those who get the importance of search and navigation alongside content, the future will be a bit brighter.
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Based on research findings that illustrate that these units have a positive effect on branding, these guidelines will enable marketers, and publishers to embrace and implement new creative technologies. We are committed to the growth of the Internet and will continue to provide marketers and publishers with the tools they need to execute more efficient and effective campaigns.
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Given today's market conditions, we have determined that this strategy is the best way to service our Web publishers as well as advertiser clients. Our goal in this realignment is to leverage our media sales force more efficiently as well as improve client service levels with a dedicated senior level team focused on key sites and advertisers.
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Sony's recent digital rights management (DRM) fiasco highlighted the tightrope content producers employing DRM technologies are currently walking. Authors, artists and publishers now have the technological tools to better protect their digital creations but if they want consumers to pay for their digital work, they must find the right balance between copyright protection and customer expectations.
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Used effectively, DRM technologies have the potential to open up these new channels to traditional publishers and producers.
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