Make a remark,' said the Red Queen; 'it's ridiculous to leave all the conversation to the pudding!
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Drosselmeier had unwittingly exposed himself to an overdose of reality, and it had destroyed his reason.
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The concept has promise, but, as often happens in Mr. Gilliam's movies, the narrative gets gummed up with his labored surrealism.? The movie? Has some interesting visual imagery (including gratuitous bugs), but any one of the old wives the Grimm brothers interviewed was a better storyteller.
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Surrealism: An archaic term. Formerly an art movement. No longer distinguishable from everyday life.
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Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.
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Dive again and again into the river of uncertainty. Create in the dark, only then can you recognize the light.
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I have forced myself to contradict myself in order to avoid conforming to my own taste.
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I spoke fire, laughed smoke, and madness spilled forth from my inspiration.
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Possible reality [is obtained] by slightly bending physical and chemical laws.
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In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition.
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Painting, by its nature, cannot provide an object of simultaneous collective reception.. As film is able to do today.. And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
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That's what dreams are really like, you know? They're not full of melting clocks or floating roses or people made out of rocks. Most of the time, dreams look just like the normal world. It's your feelings that tell you something's off. Not your mind, not your intellect, not something as obvious as that. The only part of you that really knows what's going on is the part of you that's most a mystery. If that's not Surrealism, I don't know what is.
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Yes, i have dated Salvador Dali guy when i was a high school girl. He was a great lover. But i had to dump him because he stole my inspiration of bent clock*~*.. Who cares..
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Oh, sheep. I've lost all my sobbing colours.
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Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world.
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We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green.
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This place has only three exits, sir: Madness, and Death.
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Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which man is in conflict. Rather man and cosmos exist in reciprocal motion. We are not cast adrift in an alien or meaningless environment. The universe is intimate with us and, as Breton insisted, it is a cryptogram to be deciphered.
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By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is not to be overwhelmed... What is essential is to become one with the sickness, that is, in the context of language as a whole, to enter into contact with words.
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[On Jason Mashak's I Was Trained to See Shadows, in his poetry book SALTY AS A LIP: ] A nice bit of smooth, full-bodied, surreal story telling. I like it.
poetry surrealism
We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.
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Oh,' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions?
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The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own 'genius', the surrealists conceived themselves as explorers and researchers rather than 'artist' in the traditional sense and it was discovery rather than invention that became crucial for them.
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In this stillness that is at the same time movement, in this darkness that is at the same time light, change is found not in the realm of ideas but in the energizing desire that is realized through precipitation. Desire tends towards its own realization and change takes place when the desire for it shatters the bounds of the possible, breaking the dialectical equilibrium holding together the framework of what is existent. It is at such moments that the imaginary flows into the real and overwhelms it, inundating it until it has been absorbed.
reality desire surrealism imaginary
A constant human error: to believe in an end to one's fantasies. Our daydreams are the measure of our unreachable truth. The secret of all things lies in the emptiness of the formula that guard them.
dreams surrealism
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