I never heard weeping like that before or after; not from a child, nor a man wounded in the palm, nor a tortured man, nor a girl dragged off to slavery from a taken city. If you heard the woman you most hate in the world weep so, you would go to comfort her. You would fight your way through fire and spears to reach her. And I knew who wept, and what had been done to her, and who had done it.
C.S. Lewis
What is vital and healthy does not necessarily survive.. An art, a whole civilization, may at any time slip through men's fingers in a very few years and be gone beyond recovery. If we are alive when such a thing is happening we shall hardly notice it until too late; and it is most unlikely that we shall know its causes.
literary-criticism
The history of literature is very far from being one of simple progress.
It must be remembered that no art lives by nature, only by acts of voluntary attention on the part of human individuals. When these are not made it ceases to exist.
To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else.
literature-quotes fiction-writing
In the only sense that matters the surprise works as well the twentieth time as the first. It is the quality of unexpectedness, not the fact that delights us. It is even better the second time. Knowing that the 'surprise' is coming we can now fully relish the fact that this path through the shrubbery doesn't look as if it were suddenly going to bring us out on the edge of the cliff. So in literature. We do not enjoy a story fully at the first reading. Not till the curiosity, the sheer narrative lust, has been given its sop and laid asleep, are we are leisure to savour the real beauties. Till then, it is like wasting great wine on a ravenous natural thirst which merely wants cold wetness. The children understand this well when they ask for the same story over and over again, and in the same words. They want to have again the 'surprise' of discovering that what seemed Little Red Riding Hood's grandmother is really the wolf. It is better when you know it is coming: free from the shock of actual surprise you can attend better to the intrinsic surprisingness of the peripeteia.
literature-quotes
Though under earth, and throneless now I beYet while I lived all earth was under me.
narnia living
The most precious gift that marriage gave me was the constant impact of something very close and intimate, yet all the time unmistakably other, resistant - in a word, real.
marriage
You are speaking.. As if the pleasure were one thing and the memory another. It is all one thing.. What you call remembering is the last part of the pleasure.
memory pleasure remembering
A pleasure is full grown only when it is remembered.
memory pleasure
The sin both of men and of angels, was rendered possible by the fact that God gave us free will.
men free-will sin angels
But one of the worst results of being a slave and being forced to do things is that when there is no one to force you any more you find you have almost lost the power of forcing yourself.
slavery motivation
My own idea, for what it is worth, is that all sadness which is not either arising from the repentance of a concrete sin and hastening towards concrete amendment or restitution, or else arising from pity and hastening to active assistance, is simply bad; and I think we all sin by needlessly disobeying the apostolic injunction to 'rejoice' as much as by anything else. Humility, after the first shock, is a cheerful virtue.
optimism
pain tears weeping
What you see and what you hear depends a great deal on where you are standing. It also depends on what sort of person you are.
perception
But there is another way of using the equivalence, which is almost the opposite of allegory, and which I would call sacramentalism or symbolism. If our passions, being immaterial, can be copied by material inventions, then it is possible that our material world in its turn is the copy of an invisible world. As the god Amor and his figurative garden are to the actual passions of men, so perhaps we ourselves and our 'real' world are to something else. The attempt to read that something else through its sensible imitations, to see the archetype in the copy, is what I mean by symbolism or sacramentalism. It is, in fine, 'the philosophy of Hermes that this visible world is but a picture of the invisible, wherein, as a portrait, things are not truly but in equivocal shapes, as they counterfeit some real substance in that visible fabrick'. The difference between the two can hardly be exaggerated. The allegorist leaves the given -- his own passions -- to talk of that which is confessedly less real, which is a fiction. The symbolist leaves the given to find that which is more real. To put the difference in another way, for the symbolist it is we who are the allegory. We are the 'frigid personifications'; the heavens above us are the 'shadowy abstractions'; the world which we mistake for reality is the flat outline of that which elsewhere veritably is in all the round of its unimaginable dimensions.
perception reality
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