No matter how well you market [the permanent collection], people know it. They're only going to come back so often to a collection they've seen before. They want something new. My frustration is that we have to do an either/or rather than a both. Every other museum with a collection of this quality has the option of doing both.
Timothy Potts
I'm delighted. It's a fantastic and beautiful masterpiece of early Renaissance sculpture by the presiding genius of the 15th century.
genius beautiful fantastic early masterpiece renaissance sculpture
If it goes on view with other like objects, then scholars get to see it and study it; the public gets to come; the claimant, if there is one, gets to know where it is and file a claim. Who has lost in this process?
lost process study public scholars view
quality people market frustration matter
Greg Vitali is the real thing.
real thing
We often undervalue what we have. We regularly have two-thirds of our space dedicated to visiting exhibitions, which means we hardly get a chance to show our own collection.
chance space
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