Perhaps there is a degree of perception at which what is real and what is imagines are one: a state of clairvoyant observation, accessible or possibly accessible to the poet or, say, the acutest poet.
nature
A poet looks at the world the way a man looks at a woman.
man nature
Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
man manners nature style
I know noble accentsAnd lucid, inescapable rhythms; But I know, too, That the blackbird is involvedIn what I know.
consciousness imagination landscape nature
The imagination is man's power over nature.
imagination man nature power
A poem need not have a meaning and like most things in nature often does not have.
In the world of words, the imagination is one of the forces of nature.
force imagination nature
The romantic intoning, the declaimed clairvoyance Are parts of apotheosis, appropriate And of its nature, the idiom thereof.
There is always an analogy between nature and the imagination, and possibly poetry is merely the strange rhetoric of that parallel.
imagination nature poetry
The imagination is one of the forces of nature.
Two things of opposite natures seem to depend On one another, as a man depends On a woman, day on night, the imagined On the real. This is the origin of change. Winter and spring, cold copulars, embrace And forth the particulars of rapture come.
change man nature