Libraries, whether my own or shared with a greater reading public, have always seemed to me pleasantly mad places, and for as long as I can remember I've been seduced by their labyrinthine logic, which suggests that reason (if not art) rules over a cacophonous arrangement of books.
Alberto Manguel
In my fool hardy youth, when my friends were dreaming of heroic deeds in the realms of engineering and law, finance and national politics, I dreamt of becoming a librarian.
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We can imagine the books we'd like to read, even if they have not yet been written, and we can imagine libraries full of books we would like to possess, even if they are well beyond our reacher, because we enjoy dreaming up a library that reflects every one of our interests and every one of our foibles--a library that, in its variety and complexity, fully reflects the reader we are.
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From fire, water, the passage of time, neglectful readers, and the hand of the censor, each of my books has escaped to tell me its story.
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No one stepping for the first time into a room made of books can know instinctively how to behave, what is expected, what is promised, what is allowed. One may be overcome by horror--at the cluster or the vastness, the stillness, the mocking reminder of everything one doesn't know, the surveillance--and some of that overwhelming feeling may cling on, even after the rituals and conventions are learned, the geography mapped, and the natives found friendly.
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If the library in the morning suggests an echo of the severe and reasonable wishful order of the world, the library at night seems to rejoice in the world's essential, joyful muddle.
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The love of libraries, like most loves, must be learned.
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Entering a library, I am always stuck by the way in which a certain vision of the world is imposed upon the reader through its categories and its order.
The weight of absence is as much a feature of any library as the constriction of order and space.
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