We know in general we'll avert a terrorist threat, and we try to get the first four to six episodes down. But even as we're writing those, they change. And I think one of the reasons the show has the quality it does is we're so critical, and revise ourselves. We then revise it again.
Evan Katz
This year is sort of about rebirth as well as the nature of vengeance and justice.
nature rebirth justice vengeance
The reason the audience doesn't see the twists coming is, we don't either.
reason audience
We're about two episodes ahead on a good run.
good run
quality writing change critical reasons threat
We can't tell you how. We can't tell you for how long. We can't tell you how it ends.
Last year, we didn't know that Jack wouldn't wind up dead. We know in general we'll avert a terrorist threat or conclude the conventional story, but we begin the year sort of pretending we have the first four to six. But even as we're writing those, they change.
writing change story wind pretending dead begin threat jack
Often, Kiefer's portrayal is riveting. He's really able to make these occasionally ridiculous situations feel extremely real, and more importantly, extremely personal.
real feel personal ridiculous
We know we take liberties in that regard, but CTU clearly is a very efficient and effective (agency). And we're frankly honored and lucky to be working with them.
lucky working agency
Making things feel real is one of our primary concerns in the way we write it. And it's one of the gifts that the actors who do the show really have to make ridiculous situations feel real.
gifts real actors feel write things ridiculous
It's not a ridiculous contrast; it's more a man hiding a secret and being a little smarter about how he projects himself than we thought.
contrast man thought secret ridiculous hiding projects
You must log in to post a comment.
There are no comments yet.