Most modern American films are revolting. They are pro-Bush propaganda of the worst kind, using the same techniques of persuasion that the Nazis used.
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British talent is involved in the other films like the Constant Gardner and I'd argue we are presenting the best of new British film-making talent in our New British Films strand
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Well, he's got a much bigger circus to play with, and he has a lot more financing available, and he has a lot more time available. I think that makes a huge difference. I think he instinctively knows how to make films and all the different ways that you can make stuff. He's very gadget-wise, and he's very smart about all the different things that are available to a filmmaker nowadays, and he makes very good use of them. He has a theater in his house, for God's sake. It has proper curtains on it and everything. It's pretty wild.
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There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.
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We are already attempting to prepare thin films of the materials to replace energy inefficient separations, like distillation, with membrane separations.
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Independent film is about diversity and independent voices. So it's not unusual that [the LMEC] would invite someone like me, who is running an organization dedicated to supporting independent films. We also have a number of diversity programs of our own
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We wanted to make a radically low-budget film to show that anyone can do this. There are a lot of people in Africa who want to make films and can't afford it.
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I think they are looking at two films, 'The Lord of the Rings' and 'The Passion of the Christ,' which targeted totally different crowds and looking for a way to hit both of those markets.
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He's wrong. That's why his films look so terrible.
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I have written a lot of films that didn't get made for one reason or another and I have one called The Women in Black that I hope will get made next year. And there were others that got made that I wrote under different names, I always think that better directors write the scripts because if you can't write, and you don't have anything to say, then what's the point of making films?
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Well, I storyboard the films from every shot and from every angle. I specify to the cameraman where the camera should be and what lens he should use and then I work out all the moves for the actors. Of course this can change, but I would have to say that 95% of the time the film is done exactly the way I have storyboarded it.
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Everything ran perfect. Popcorn was popping. Films were rolling. All good stuff.
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With so many having tried marijuana, it would be bizarre not to expect that reality wouldn't be depicted in films and on TV.
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Oh yeah. I'm always dancing on bars. I'm a bloke that loves a drink, and when you're just free and on the loose like we are on films - it happens.
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I started making 8mm films when I was 13, so I've been directing for 21 years.
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It's one of the largest films Warner Bros. Has ever made
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I've always had the perspective that roles come into my life when I need them most and sort of teach me lessons. The same can be true of films, films are released into society to aid in a lesson, inspire people, comfort people.
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Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
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When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
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The majors now have sort of semi-independent companies allied with them, making lower-budget films. They're competing with us. And television is a huge target for young people. So we don't quite have the monopoly on young writers, directors, producers and actors that we formerly did.
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My father was an engineer,.. But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life.
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[If you like little films about birds you might also consider] The Wild Parrots of Telegraph Hill... Could be a surprise underground hit, because it is so warm and moving.
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The bastard form of mass culture is humiliated repetition.. Always new books, new programs, new films, news items, but always the same meaning.
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He has a workmanlike attitude every night out. His stats are not great, but he gets us going on defense. He plays so hard. If you watch the films, you notice all of the little things that he is able to accomplish to make us a better basketball team.
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The films not just about love, but growing up as well.
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