A free press doesn't mean it's not a tame press.
media news journalism newspapers
We journalists love writing about eccentrics. We hate writing about impenetrable, boring people. It makes us look bad: the duller the interviewee, the duller the prose. If you want to get away with wielding true, malevolent power, be boring.
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The newspaper journalists like to believe the worst; they can sell more papers that way, as one of them told me himself; for even upstanding and respectable people dearly love to read ill of others.
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You have to get up pretty early in the morning to invent the news.
media journalism
(aspiring journalist to Carl Kolchak)'Andy knows I want to be a reporter. Like you'This took me by surprise. 'Sallie, my dear, nobody wants to be a reporter like me.
journalism
My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their best interests. And it always does.
[I] settled down with the and the, glad to be back with journalism where all murders are brutal, all prosecutors are tough, and all blondes are attractive. And any lawyer who cooperates with the reporter is high-powered.
Basically, financial reporting is this sinking hole at the centre of journalism. You start by swimming around it until finally, reluctantly, you can't fight the pull anymore and you get sucked down the drain into the biz pages.
If you don't hit a newspaper reader between the eyes with your first sentence, there is no need of writing a second one.
journalism newspaper
Verbosity was an established Victorian trait.
It takes a lot of moola to fool around with national magazines, regardless of their politics. It takes even more if the paper is hell bent on shoving a hot poker up the rear end of the Establishment, as that editorial posture is not conducive to a massive influx of advertising dollars..a lot of people on the left still cherish the idea that Ramparts went under because I bought people drinks.
One of the cardinal rules of journalism: Once you have cabled a story you must stick by it and back it up, unless something completely overwhelming proves you to have been wrong. In such a case, just drop the matter.
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It should be apparent that the belief in objectivity in journalism, as in other professions, is not just a claim about what kind of knowledge is reliable. It is also a moral philosophy, a declaration of what kind of thinking one should engage in, in making moral decisions. It is, moreover, a political commitment, for it provides a guide to what groups one should acknowledge as relevant audiences for judging one's own thoughts and acts.
media journalism sociology objectivity
Einen guten Journalisten erkennt man daran, dass er sich nicht gemein macht mit einer Sache, auch nicht mit einer guten Sache; dass er überall dabei ist, aber nirgendwo dazugehört
He reads every book in his home but it is not enough. The country boy craves stories. He devours every poem and fable in his school and library. Still he hungers. For stories.
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Objectivity, in this sense, means that a person's statements about the world can be trusted if they are submitted to established rules deemed legitimate by a professional community. Facts here are not aspects of the world, but consensually validated statements about it.
Woodward said that he had told no one the name of Deep Throat. Mrs. Graham paused. 'Tell me,' she said. Woodward froze. He said he would give her the name if she wanted. He was praying she wouldn't press it. Mrs. Graham laughed, touched his arm and said she was only kidding, she didn't really want to carry that burden around with her. Woodward took a bite of his eggs, which were cold.-- Carl Bernstein, Bob Woodward
The August 1 story had carried their joint byline; the day afterward, Woodward asked Sussman if Bernstein's name could appear with his on the follow-up story - though Bernstein was still in Miami and had not worked on it. From the on, any Watergate story would carry both names. Their colleagues melded the two into one and gleefully named their byline Woodstein.-- Carl Bernstein, Bob Woodward
Sussman had the ability to seize facts and lock them in his memory, where they remained poised for instants recall. More than any other editor at the Post, or Bernstein and Woodward, Sussman became a walking compendium of Watergate knowledge, a reference source to be summoned when even the library failed. On a deadline, he would pump these facts into a story in a constant infusion, working up a body of significant information to support what otherwise seemed like the weakest of revelations. In Sussman's mind, everything fitted. Watergate was a puzzle and he was a collector of the pieces.-- Carl Bernstein, Bob Woodward
journalism watergate
At heart, Sussman was a theoretician. In another age, he might have been a Talmudic scholar. He had cultivated a Socratic method, zinging question after question at the reporters: Who moved over from Commerce to CRP with Stans? What about Mitchell's secretary? Why won't anybody say when Liddy went to the White House or who worked with him there? Mitchell and Stans both ran the budget committee, right? What does that tell you? Then Sussman would puff on his pipe, a satisfied grin on his face.-- Carl Bernstein, Bob Woodward
The invariable question, asked only half-mockingly of reporters by editors at the Post (and then up the hierarchical line of editors) was 'What have you done for me today?' Yesterday was for the history books, not newspapers.-- Carl Bernstein, Bob Woodward
Bradlee had been recruited with the idea that the New York Times need nod exercise absolute preeminence in American journalism. That vision had suffered a setback in 1971 when the Times published the Pentagon Papers. Though the Post was the second news organization to obtain a copy of the secret study of the Vietnam war, Bradlee noted that 'there was blood on every word' of the Times' initial stories. Bradlee could convey his opinions with a single disgusted glance at an indolent reporter or editor.-- Carl Bernstein, Bob Woodward
During discussions in his office, Bradlee frequently picked up an undersize sponge-rubber basketball from the table and tossed it toward a hoop attached by suction cups to the picture window. The gesture was indicative both of the editor's short attention span and of a studied informality. There was an alluring combination of aristocrat and commoner about Bradlee: Boston Brahmin, Harvard, the World War II Navy, press attaché at the U.S. Embassy in Paris, police-beat reporter, news-magazine political reporter and Washington bureau chief of Newsweek.-- Carl Bernstein, Bob Woodward
Hardly unaware of his image, Bradlee even cultivated it. He delighted in displaying his street savvy, telling a reporter to get his ass moving and talk to some real cops, not lieutenants and captains behind a desk; then rising to greet some visiting dignitary from Le Monde or L'Express in formal, flawless French, complete with a peck on each cheek.-- Carl Bernstein, Bob Woodward
Deep Throat stamped his foot. 'A conspiracy like this..a conspiracy investigation.. The rope has to tighten slowly around everyone's neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and the Liddys. They feel hopelessly finished - they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, the everyone feels more secure. Lawyers work this way. I'm sure smart reporters must, too. You've put the investigation back months. It puts everyone on the defensive - editors, FBI agents, everybody has to go into a crouch after this.'Woodward swallowed hard. He deserved the lecture.-- Carl Bernstein, Bob Woodward
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