Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
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A wide screen just makes a bad film twice as bad.
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My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
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Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading
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A film is a petrified fountain of thought.
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A good film script should be able to do completely without dialogue.
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This film cost 1 million. With that kind of money I could have invaded some country.
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Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever.. It remembers little things, long after you have forgotten everything.
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My stage successes have provided me with the greatest moments outside myself, my film successes the best moments, professionally, within myself.
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In the film, my mouth is so wide open it's embarrassing. His real purpose in life was to paint and that's where he really spoke to us. That's where he was most comfortable.
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I tried to make a film that was not a lot of empty (garbage). To me, the film is about the relationship between the boy and a black guy - he comes to see him for what he really is. That's the most rewarding part of the film. Most of the credit goes to Eamonn Walker, who is one of the greatest actors alive today.
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For a lot of kids it was very a generational film. There really hadn't been anything like that for a whole generation of kids, and they immediately latched on to it and felt a bond with the film and the music.
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You can't be trying to make a film that pleases all people, you know, so it's not a concern of mine
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She takes 4-by-5-inch pieces of photographic film and attaches them to her body before going through her daily activities. The photographic materials are exposed, then she takes the resulting images, scans them into the computer and enlarges them.
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In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.
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Thank you to all the members of the Academy for embracing our film about love, and about tolerance, about truth, and thank you to people all around the world who have been been touched by this message.
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Thank you for embracing our film about love and tolerance and truth.
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I believe that the story is the most important element of any medium whether it's theater, film, TV.
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We go over the film and see everything. We have a fine system for each other if players don't do what they're supposed to.
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Sex scenes are the easiest to film. Everyone is an animal. Everyone is the same when they're making love. It's just a matter of whether the director can direct
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I would not have got to make my first film and I would not have been able to set up my second film.
film
In film and television we are oftentimes so pampered that the truths are withheld.
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We grew up watching gangster movies. We wanted to make a film that people would quote to each other like 'Diner' and 'Godfather,'
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To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
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I was a little dizzy out there, but I kept playing. I wanted to keep fighting. I just watched the film, so it refreshed my memory.
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