[..] era un viso indimenticabile, un viso tragico. Sgorgava dolore con la stessa purezza, naturalezza e inarrestabilit? Con cui sgorga l'acqua da una sorgente nei boschi. Non c'era artificio in esso, né ipocrisia, né isterismo, né maschera; soprattutto non c'era la minima traccia di pazzia. La pazzia era nel mare vuoto, nel vuoto orizzonte, [..]; come se la sorgente fosse stata naturale in sé ma innaturale in quanto sgorgava da un deserto.
What if all those strange and unexplainable bends in history were the result of supernatural interference? At which point I asked myself, what's the weirdest most eccentric historical phenomenon of them all? Answer: the Great British Empire. Clearly, one tiny little island could only conquer half the known world with supernatural aid. Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functions on werewolf pack dynamics.
In the world of, a financial disaster or moral scandal would permanently exile a guest from the finest dinner tables. In contemporary New York, a mere change of fashion can eliminate a place setting; therefore, the need to maintain a rigidity not of morals, but of taste, seems all the more desperate.
Archer tries not to think of his own state of purity, physically unsullied, yet now spiritually beyond redemption, his thoughts plagued by lithe limbs and brilliant blue eyes. Doctor Archer has never really understood women, nor has he ever had time for courtship; this is a sacrifice he has willingly made for his career. He thought - believed - for most of his adult life that his vocation was to tend the sick of mind. Romance was a frivolity, carnal urges something he successfully sublimated, resisting the drive to spoil himself. Now, in the overbearing loneliness of his 4am bed he touches himself in secret, panting and hungry and stunned by shame