You might have noticed that I have been sending you used books. I have done this not to save money, but to make a point which is that a used book, unlike a used car, hasn't lost any of its initial value. A good story rolls of the lot into the hands of its new reader as smoothly as the day it was written. And there's another reason for these used paperbacks that never cost much even when new; I like the idea of holding a book that someone else has held, of eyes running over lines that have already seen the light of other eyes. That, in one image, is the community of readers, is the communion of literature.
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There must always be a fringe of the experimental in literature--poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve.
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[T]he only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.
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The more we have known of the really good things, the more insipid the thin lemonade of later literature becomes, sometimes almost to the point of making us sick. Do you know a work of literature written in the last, say, fifteen years that you think has any lasting quality? I don't. It is partly idle chatter, partly propaganda, partly self-pitying sentimentality, but there is no insight, no ideas, no clarity, no substance and almost always the language is bad and constrained. On this subject I am quite consciously a laudator temporis acti.
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Het was een vergissing vanwege de juf, te denken dat alleen de dingen die in de boeken staan interessant zijn. Ook deze, die er nog niet in staan, zijn merkwaardig.
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There's no better way to inform and expand you mind on a regular basis than to get into the habit of reading good literature.
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Pienso que en la vida de cada uno de nosotros existe un libro similar, que de pequeños no nos limitamos simplemente a leer, sino que inspeccionamos y rebuscamos en cada uno de sus rincones como si de una habitación se tratara. Un libro asÃ, rebuscado como una habitación, escrutado o interrogado como una cara en cada rasgo y arruga, nunca podremos juzgarlo como se juzga un libro, porque para nosotros ha abandonado la zona de los libros y ha pasado a vivir a la zona de la memoria y de los afectos.
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To literary critics a book is assumed to be guilty until it proves itself innocent.
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I was hungry when I left Pyongyang. I wasn't hungry just for a bookshop that sold books that weren't about Fat Man and Little Boy. I wasn't ravenous just for a newspaper that had no pictures of F.M. And L.B. I wasn't starving just for a TV program or a piece of music or theater or cinema that wasn't cultist and hero-worshiping. I was. I got off the North Korean plane in Shenyang, one of the provincial capitals of Manchuria, and the airport buffet looked like a cornucopia. I fell on the food, only to find that I couldn't do it justice, because my stomach had shrunk. And as a foreign tourist in North Korea, under the care of vigilant minders who wanted me to see only the best, I had enjoyed the finest fare available.
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It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty, and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise.
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In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organizations, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.
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An acquaintanceship with the literature of the world may be won by any person who will devote half an hour a day to the careful reading of the best books. The habit of reading good books is one that gives great comfort in all the stages and among all the vicissitudes of life. The man who has learned to love good reading is never alone. His friends are the great ones of human history, and to them he may always go for stimulating and helpful communion. --GQ 71 (GQ is A Guide for Quorums of the Melchizedek Priesthood, 3rd Edition, 1930)
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It's the best way of telling the truth; it's a process of producing grand, beautiful, well-ordered lies that tell more truth than any assemblage of facts. Beyond that [it's] delight in, and play with, language; also, a curiously intimate way of communicating with people whom you will never meet.
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People perish. Books are immortal.
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That's what sofas are for: sit down, drink a cup of tea, talk of literature. At least that's how I see it.
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Just as we know the alpha and omega mark Roman catacombs, we also know that the space between the first and last word mark the dwelling place of Muses.
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Reading Chekhov, I felt not happy, exactly, but as close to happiness as I knew I was likely to come. And it occurred to me that this was the pleasure and mystery of reading, as well as the answer to those who say that books will disappear. For now, books are still the best way of taking great art and its consolations along with us on a bus.
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It's a truth universally acknowledged..
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Human existence is temporary and all the knowledge of the universe we acquire will in time be forgotten because there will be no humans left to benefit from any of the stuff we learned. And yet, this doesn't invalidate scientific exploration to me. We seek to understand the universe because it makes our lives better and more rich. Similarly, we tell stories (and think about why and how to tell stories) because it makes human existence richer. Made-up stories matter. They bring us pleasure and solace and nurture empathy by letting us see the world through others' eyes. They also help us to feel unalone, to understand that our grief and joy is shared not just by those around us but by all those who came before us and all those still yet to come.
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Pinapakita nyong mga dayuhang libro pa rin at mga dayuhang libro lang ang tinatangkilik ng mga tao. Bakit magsusugal ang mga publisher sa Pilipinong manunulat kung hindi naman pala mabili ang mga kwentong isinusulat ng mga Pilipino? At kung walang mga publisher na tatanggap ng mga trabaho ng mga Pilipinong manunulat, sino pa ang gugustong magsulat? Kung walang magsusulat, ano ang kahihinatnan ng panitikan sa bansa at sa kakayanan nating bumasa't sumulat?
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I picked up one of the books and flipped through it. Don't get me wrong, I like reading. But some books should come with warning labels: Caution: contains characters and plots guaranteed to induce sleepiness. Do not attempt to operate heavy machinery after ingesting more than one chapter. Has been known to cause blindness, seizures and a terminal loathing of literature. Should only be taken under the supervision of a highly trained English teacher. Preferably one who grades on the curve.
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Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, trowing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up.
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The parrot had a range of phrases. His own name ('Niko, Niko'), the name of his original owner and now 'Stavros'. Occasionally he would also say 'Panagia mou', which could be an expression of piety but also a gentle expletive, depending on how it was said. With the parrot it was hard to tell. It did not sound pious.
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Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth.
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The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human.
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